Date Signed: 02/24/2025 Signed By: Brian Cange

Conditions of CBJ Film Permit:
1. Identity of Parties: All communications concerning this contract shall be directed as follows, any reliance on a communications with a person other than that listed below is at the party’s own risk. This Agreement extends to not only the parties as set forth above, but also to the parties’owners, affiliates, officers, directors, partners, agents, employees, landlords, lessees, sublessees, predecessors, assigns, shareholders, representatives, and subrogees.

2. Scope: The scope of this permit is limited to the locations, dates, and times agreed upon and listed.

3. Insurance: Insurance coverage as described below is required for this permit. Prior to issuance of a permit, the Permittee must submit a certificate of insurance showing the Permittee has obtained the necessary insurance in the types and amounts listed in the permit conditions. CBJ reserves the right to modify insurance requirements, if appropriate, depending on the nature of the project.

4. Indemnification: The Permittee agrees to defend, indemnify, and hold harmless CBJ, its employees, volunteers, consultants, and insurers, with respect to any action, claim, or lawsuit arising out of or related to the Permittee’s performance of this permit, without limitation as to the amount of fees, and without limitation as to any damages, cost or expense resulting from settlement, judgment, or verdict, and includes the award of any attorneys’ fees even if in excess of Alaska Civil Rule 82. This indemnification agreement applies to the fullest extent permitted by law and is in full force and effect whenever and wherever any action, claim, or lawsuit is initiated, filed, or otherwise brought against CBJ relating to this permit. The obligations of Permittee arise immediately upon actual or constructive notice of any action, claim, or lawsuit. CBJ shall notify Permittee in a timely manner of the need for indemnification, but such notice is not a condition precedent to Permittee’s obligations and is waived where the Permittee has actual notice.

5. Assumption of Risk: Permittee assumes all risk and is solely responsible for conducting all activities in a safe and diligent manner and not to pose a danger to other users of the CBJ Property.

6. Damages: The Permittee shall pay the CBJ for any damage caused to CBJ Property associated with the Permittee’s use of CBJ Property.

7. Not Exclusive: Unless otherwise stated, this permit does not give the Permittee an exclusive right to use the CBJ property. Fees may be assessed for special purposes and/or City staff support.

8. Compliance: The Permittee shall comply with all applicable laws and regulations.

9. Assignment: This permit may not be transferred or assigned without the written consent of the CBJ Manager, or designee.

10. Revocation: This permit may be terminated upon breach of any of the conditions herein or in the best interest of the CBJ as determined by the CBJ Manager.

11. Leave No Trace: The Permittee shall ensure that its activities are conducted in a manner such that the property will be returned to its original condition upon termination of the Permittee’s activities. Any materials or supplies brought in by the Permittee must be removed upon termination of Permittee’s activities or upon termination of this authorization.

12. Jurisdiction and Venue: The Superior Court for the State of Alaska, First Judicial District at Juneau, Alaska shall be the exclusive jurisdiction for any action of any kind and any nature arising out of or related to this Agreement. Venue for trial in any action shall be in Juneau, Alaska. The laws of the State of Alaska shall govern the rights and obligations of the parties. Permittee specifically waives any right or opportunity to request a change of venue for trial pursuant to A.S. 22.10.040.

13. Counterparts: This Agreement may be executed in counterparts, each of which constitutes one and the same agreement.

Stunts/Special Effects: None
Explanation of Stunts/Special Effects: N/A

Location 1: Sítʼ Eeti Shaanáx̱ Glacier Valley Elementary School

Date: 04/30/2025
Time: 7:30am - 1:15pm
Number of People on Location: 6 - small documentary crew only

Proposed Activities: SES GV Tuning by 6th
grade Teaching Assistants
Music Room

SESGV DressRehearsal:
8:15-9:00 - in JAMM t-shirts
for filming purposes
200 students

We will also be filming at this location on 5/1 - 5/3 and 5/5 - 5/9 as part of our filming for this documentary project about youth orchestras.

Exclusive Use? No

Location 2: Kax̱dig̱oowu Héen Elementary School

Date: 04/30/2025
Time: 1:30pm - 2:15pm
Number of People on Location: 6 - small documentary crew only

Proposed Activities: KHE 1:45 - 2:15
Mr. Humʼs 3rd Grade Violin

We will also be filming at this location on 5/1 - 5/2 and 5/5, 5/8, 5/9 as part of our ongoing filming for this documentary project about youth orchestras.

Exclusive Use? No

Other Comments for CBJ Staff to Consider: PLAY IT UP--Social Impact Statement
The idea of social mobility through music is bold, unconventional, and even counterintuitive. But for young Americans seeking to break free from generational cycles of hardship, music can offer a powerful and accessible tool for change. This film shines a light on the often-overlooked, universal power of music to build communities, nurture resilience, foster a sense of belonging, and promote success in life. Rather than focusing on the rare success stories of those who “make it big” in the music industry, this documentary explores music’s broad and accessible potential to catalyze persistence, strengthen bonds, and open doors for youth facing formidable life challenges.
Today, music education is becoming increasingly scarce, often accessible only to those with the financial means and time to invest in it. However, the programs showcased in this film aim to disrupt this trend. They start at the grassroots level, introducing music interventions in economically disadvantaged areas across America. Here, music does more than entertain; it inspires, unites, and drives social mobility in communities most in need. These stories of transformation demonstrate music’s ability to uplift individuals and provide a sense of identity and purpose, fueling a brighter future.
With insightful commentary from influential figures like Gustavo Dudamel, Audra McDonald, Tony Danza, John Batiste, and La Toya Lewis, the film underscores the critical role of accessible music education in promoting a more equitable society. By raising public awareness and targeting policymakers and philanthropists, this film makes a compelling case for the necessity of open, inclusive music education programs--especially in our most vulnerable communities. The vision is clear: to inspire action and investment in music as a tool for social transformation and to ensure that every young person has the opportunity to rise above their circumstances--through music, with music, and in music.